Scribbler Cat

I found Scribbler via this great post on Web Design Ledger. It’s a cool drawing tool that makes it look like you doodled intricately for hours during a boring lecture. I sketched this unhappy, wet cat in about a minute.

Scribbler Cat

Seems like it would make a great tool to whip up ad hoc illustrations for a blog post. Or maybe really casual money?

Scribbler George Washington

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My First Lunar Eclipse

It’s very still and freaky. Somehow freakier than when Hale Bopp graced the sky in 1997. It’s one thing to have an unusual visitor appear out of nowhere, but quite another for a standard fixture like the Moon to go all Twilight Zone on you! As unsettling as it is now, imagine what it was like hundreds or thousands of years ago for people who didn’t understand the science behind it.

I stepped outside to have a look. It was very cold and windy, and I was quite underdressed for the occasion. It’s a little weird seeing people out in the neighborhood staring at the sky at 2:30am. They were facing southwest, so I went around the block to catch the view by the river. Colder, windier, but there it was! Several clusters of random people gawking in parkas, not the usual crowd that gathers here. I would have stayed out longer had I not realized I’d have a perfect view from my office window!

So back inside, I grapped my camera to see if I could get any decent shots. This is the best I could come up with before the moon clouded over:

Lunar Eclipse -  New York City, December 21, 2010

Lunar Eclipse — New York City, December 21, 2010

Shot with a Pentax *ist DS2 and a Vivitar 400mm f5.6 lens. Equivalent to 600mm with the 1.5x crop factor of the Pentax, that’s the full frame shot. Focus is a bit soft, partly my tripod isn’t up to steadying this massive lens, partly there’s a bit of haze in the sky, and possibly the lens is not focusing to infinity properly. I was in the process of steadying the camera in a chair instead when clouds rolled in and obscured the moon completely. Well, playtime’s over — I should really go to bed.

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Ira Glass Cuts the Crap

My friend Jon shared this, and I thought it was worthy of posting on my blog. It’s solid wisdom that I hear mentioned time and time again in different contexts.

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Is this any different than jazz drummer Art Blakey’s famous advice, "Go on and play, and if you make a mistake, make it loud so you won’t make it next time."?

I’ve learned a lot from Michael Port’s book Book Yourself Solid which right off the bat in Chapter One advises you to dump your bad clients. "As you eliminate the duds, you’ll open up room for ideal clients."

When I was beginning to learn photography, I read somewhere that you could expect maybe one or two shots on a 36-frame roll of film to be worth keeping. I think you can improve on that by shooting carefully with intent, but isn’t that just editing before you trigger the shutter rather than after? The more you shoot, the better your chances of creating something memorable. But at some point in the creative process, you’re always cutting out the crap. Shooting digitally, it’s easy to amass gigabytes of crap to sift through — really just delaying the inevitable editorial process. Some people forego that step completely and just upload their entire memory card to Flickr. Real artists sift through the poo so you don’t have to!

It makes me think of a writer such as J.R.R. Tolkein with a life’s work of masterpieces. All the piles of discarded manuscripts and abandoned stories set aside to finish those that were most compelling. It’s been a while since I read his work (having read the trilogy eight times before college was kind of a burn out…), but I’m curious about his Unfinished Tales. I wonder if one can glean any insight about his editorial process? I wonder what went straight to the wastebasket and rather than the archive?

It’s kind of interesting the way all those outtakes on a Charlie Parker box set are. Some are miscues. Others, for whatever reason, weren’t deemed good enough as an alternate version for release. It’s interesting to hear the comparison after the fact. It’s even more interesting to hear Phil Schaap ramble knowledgeably about the outtakes as he plays them on the radio.

The same kind of interesting it would be to see footage Ira Glass speaks of that didn’t make the cut. Of course, he’s focused on creating the highest quality output, and you’re not supposed to see the rest. But from an academic standpoint, I think it’d wonderfully insightful to pick through the rubbish of the creative process.

Another great exercise would be to take Ira’s advice, along with these assorted parallels, and figure out to apply all of it to what you do. I think a very bad example would be this blog entry itself, as it’s become a blathering stream of consciousness…as blogs tend to be… Perhaps, this is as it should be? Ira talks about all the preliminary work that goes into finding stories. These are like scraps of paper I decided to archive online rather than throw away. I’m not cutting any crap here, but it’s a spectacular notion!

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B Minor Rhythmic Tenor Drone

Here’s a little audio sketch I threw together today. Just experimenting with using processed sax key popping as a rhythm track. By running it through a gate and an amp simulator, it sort of suggests both tambura and tabla. Improvised over it in B minor.

Simple recording rig: Electro-Voice RE20, E-mu 0404 USB, and Cakewalk SONAR 6.

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Baritone Army Photo Gallery

On Saturday, October 30th, 2010, Stefan Zeniuk’s Baritone Army waged war against the vile tranquility of Prospect Park. These are photos I took during the mission. My previous entry featured a video documentary shot by Search & Restore’s Adam Schatz.

In Low Notes We Trust

Over the last five or six years, most of my photography has been digital. I’ve been wanting to get back into film ever since taking a portraiture class at SVA last summer. The main reason is the fact that when I shoot a frame of film, I mean it. Digital gives you the luxury of virtually limitless shots. You can click away endlessly without really trying to make a good photograph. With film, each shot counts, and it forces you to shoot with intent.

On the March

I thought I’d fire up my trusty ME Super for this excursion. I loaded up classic Kodak Tri-X, though I usually shoot with Ilford HP5. I was wielding the infamous Flame-O-Phone, so I needed a compact lens I could focus quickly and capture scenes from the middle of the action. I chose my rarely-used SMC Pentax-A 28mm f/2.8 because I could stop it down for a worry-free depth-of-field.

Vanquishing Our Silent Enemy

The weather could not have been better!

Regrouping by a Tree

Engaging Enemy Aircraft

This was moments before an innocent game of touch football. I’d say 95 percent of people we encountered enjoyed the random bizarreness of it all. Four percent were bewildered, and one percent were patently unamused.

The Bandshell of Mass Destruction

No surprise, but kids loved it. You know what was funny? Old ladies loved it! Who knew we’d make a lot of old ladies happy that day?

Commander CONNquistador and the Cavalry

Infiltrated!

These girls came out of nowhere with a tuba and trumpet and started blasting low notes with us. It was really hysterical!

Taking Out the Coop

After the park, we made our way through several fine Park Slope establishments including Park Slope Food Coop. Aerosoles loved us! Starbucks did not. The bartender at another place tried to give me a tip on the way out! Haha!

That’s all for now. I posted more on Facebook.

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Baritone Army Park Slope Newsreel

Here’s some fresh footage of the Baritone Army’s conquest of Park Slope last weekend. I was honored to serve in three missions over the weekend, including the Halloween Parade. Our commander Stefan Zeniuk saw to it that I was properly armed with the infamous Flame-O-Phone, sans its propane-fueled "bass destruction", of course. We attacked the pervasive peace and harmony in record numbers, resulting in a complete rout of the oppressive tranquillity. Four Purple Hearts were awarded as our ranks sustained minor casualties. Unfortunately, I had to withdraw from combat after the parade and missed action at Joe’s Pub and urban maneuvers in Williamsburg. Check out the video (not for the faint of ear!):

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More to come…

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Throat Singing Sound Check

I got an E-MU 0404 USB audio interface yesterday for simple home recording projects. I’ve been having a heck of a time getting it to run stably on my old Athlon XP 2600+ desktop. I wanted to try a few more experiments before contacting Creative Labs support, so I installed it on my old ThinkPad T42 laptop.

Just screwing around, I was able to record seven tracks of throat singing using SONAR LE. There were frequent pops while running effects on the slow processor, but the system didn’t totally freeze like the Athlon. The pops aren’t audible on the mixdown, so I think that was just a playback issue. I’ll review the E-MU after I’ve got some proper experience using it. For now, be mystified:

You ought to be able to hear the overtones in some of the mid and upper voices. It was a little hard to hear properly with the headphones, but I tried to get some good harmonics in there. I started with some bass tracks, recorded the higher parts, and then added a raspy low bass for added character. That was fun. Now I want a sandwich.

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Softball 2010

I never played sports in school. I actually bought a glove in 9th grade, but didn’t have the nerve to go to tryouts. So I took up saxophone instead, and that turned out pretty well… Recently, I decided to get out there and play softball while I still have some youth and mobility. It’s so much fun!

My second season got off to a good start. Last year, I wasn’t swinging hard due to a wrist injury, and then I dislocated my shoulder sliding like a maniac into third! I checked in this season stronger and faster, 25 lbs lighter and fully healed. I learned, though, just how much of the game is mental. I joined legendary pizza-eater Sean Taylor’s Blues, a very good team. I really wanted to do well, but I was impatient and jumping on crap pitches a lot of the time.

I played a lot better with Funnyball, mostly Magnet Theater improv comedians with some other Blues guests. I was much more relaxed in those games, and took my time at the plate, belting my first two career home runs.

I’m a database developer. I like statistics. Here are my official career softball stats:

Year League G AB R H 2B 3B HR RBI BB K FC BA SLG OPS
2009 Funnyball 1 4 0 2 0 0 0 0 0 0 0 .500 .500 1.000
2009 Heroes 10 27 4 15 1 1 0 9 0 1 2 .556 .667 1.222
2010 Blues 10 22 2 11 2 0 0 4 0 1 1 .500 .591 1.091
2010 Funnyball 8 32 9 19 4 0 2 10 0 0 1 .594 .906 1.500
2010 Other 1 3 1 2 0 0 0 0 0 0 0 .667 .667 1.333
  TOTAL 30 88 16 49 7 1 2 23 0 2 4 .557 .727 1.284

Pulling It

I kept a hit chart to help me analyze my progress.  Last season, I spread the ball around all fields pretty well.  This season, I hit the ball to left field twice as much.  Part of the time, this was because I was trying to figure out how to hit inside pitches without grounding to third.  Other times, I was super impatient and swinging too fast and too soon.  (Our playoffs triple-header comes to mind…)

As much fun as it is to maul the ball to left, I don’t think it’s my strength.  The last two seasons, I’ve batted .391 pulling the ball vs. .875 to the opposite field.

The Flash

One thing’s for sure, dropping all that weight has helped my running game, both on the bases and in the field. When I was frustrated hitting grounders to third, Sean Taylor pointed out that I’m pretty fast and can beat out a lot of them.  I took this to heart and worked a lot between games sprinting up hills to improve my acceleration.  Last season, I batted .200 on infield ground balls.  This season, I improved that number to .315.

Lining and Dining

I try to hit line drives. Unless it’s right at someone, line drives are pretty untouchable.  Most fly balls get gobbled up pretty routinely, unless you’ve got power to hit the moon.  Ground balls aren’t very fulfilling, even if you manage to leg one out.  My batting average on line drives has been a consistent .810, so there’s your pudding and your proof.

This year, however, I squared up on the ball much less frequently.  While my average was similar, it was on a lot more grounders and fly balls.  In 2009, I hit line drives 45% of the time.  In 2010, only 20% of balls in play were line drives.  That’s a dramatic difference, and I’m not sure why.  I suspect I was swinging a lot harder and with less control.

See Ya Next Year

I can’t wait to get on the field again next season!  Both of these leagues are pretty casual, but there are excellent players who are really generous with their advice.  I think my hitting will progress as more practice and experience get me more relaxed at the plate.  I really want to work on my fielding.  All those Funnyball games helped me learn to read the ball better in the OF, but I’m still pretty bad at stopping those skipping line drives.  I know I have a decent arm – in Funnyball I turned a game-ending DP from LF with a throw to 1B.  However, usually I rush my throw and incur all sorts of mayhem.  But there are no fielding drills, so I just have to soak up what I can from in-game experience. Also, I’d like to get through a season without so many altercations with the ground!  I may have played the last six games with a broken foot…

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Check out Jackie McLean on Mars

Director Ken Levis created a compelling documentary about Jackie McLean in the mid-seventies. This was 14 years before my time at Hartt, but it offers some insight as to what my time in school was like. Also has some footage from the Artists Collective, where I taught saxophone lessons occasionally. The film is very deep historically and politically, and is still relevant today. I just blogged about Jackie McLean on Mars on Jazz Commons.

Do check it out and watch the film!

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John Coltrane — I Wish I Knew

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