My New Bronze Lawton

I bought a Lawton 7 Star mouthpiece for tenor saxophone a few months ago on eBay. It’s a special model in bronze with a long window, low baffle, and larger throat. I’ve been playing one of those lost wax replica brass Florida Links with excellent results. However, I wanted to find something with a little more power because I was really pushing the Link to its limits on rock gigs. I can’t stand playing on anything without a huge chamber and low baffle, though, so that rules out most of the typical power designs. This piece intrigued me because of it’s large chamber, accentuated by the long window, and I’ve always loved bronze as a mouthpiece material. I played the Lawton for a while as is and tried it out at some sessions. It had some playability issues and seemed a bit open for a 7 Star. Eventually, I had Norbert Stachel, who’s been working on my mouthpieces for several years now, work his refacing magic. It turned out the piece had a tip opening of .130″ or so and needed a lot of work.

Lawton Special in Bronze with Long Window for Tenor Refaced by Norbert Stachel I got the piece back a couple weeks ago. Norbert shorted it slightly to reveal a little more baffle and closed it to a tip opening of .117″, which is still a lot bigger than the .105″ to .112″ range my mouthpieces for the last ten years have been. I had to play slightly thinner reeds to get the response I wanted. Last weekend, I used the Lawton on my Duke Baxter gig under conditions of a large outdoor tent with a loud band with PA and no monitors. I was extremely happy with the way the mouthpiece held up to all the air I put through it. There’s enough back pressure to produce a satisfying resistance when the reed breaks in and would otherwise start to feel thin. I am still getting used to the intonation (which is better than the Link, but different enough to require adjustment) and the way it takes the airstream at various volumes. Sonically, it’s not a rock or jazz fusion kind of sound. It enables a fat, rich “Link on steroids” sound that is pretty much the sound that I shoot for. I think this may be my all around jazz piece, too. I’ll have to see how I settle into it over the next six months. The large tip opening still feels a bit odd, but it doesn’t feel like it takes more air, just throws my timing off very subtly. And it forces me to really keep my airstream solid. If I wimp out, so does my tone, but if I mind my technique, it sounds amazing!